Tate and Hirst’s company, Science Limited, immediately objected to the results; we’ve obtained what appears to be letter from a lawyer for Science Limited to the corresponding author of the paper — Pier Giorgio Righetti of the Polytechnic University of Milan in Italy — saying it was “deeply concerned and troubled by the claims” in the paper.
The corresponding author of the 2016 study that found high levels of the carcinogen formaldehyde leaking from a prominent British artist’s exhibition is now retracting it.
The study, about Damien Hirst’s 2012 exhibition at the Tate Gallery in London that presented dead animals embalmed in glass cases full of formaldehyde, suggested that higher than recommended limits of the carcinogen were being released from the exhibition. The study was widely covered by the media, which raised concerns over possible health hazardsto visitors.
A study that found high levels of the carcinogen formaldehyde leaking from an exhibition by a prominent British artist may have unreliable data, according to its corresponding author.
The 2016 study about Damien Hirst’s exhibition at the Tate gallery in London in 2012 — which involved keeping dead animals in formaldehyde in glass cases — sparked concern in the mainstreammedia over the exhibition’s potential hazards to visitors.
But now the corresponding author of the paper — Pier Giorgio Righetti of the Polytechnic University of Milan in Italy — has alerted the journal, Analytical Methods, of the paper’s shortcomings. The journal has issued an expression of concern (EOC), and is investigating.